Critical review on Rob Marshall's musical, Chicago starring Catherine Zeta Jones and Richard Gere

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Title: Chicago

Venue: Alice Springs Cinema

Date: Tuesday 25th February

Directed by: Rob Marsh all.

Written by: metre Condon; from the musical by John Kander, Fred Ebb and Bob Fosse

Based on: The play by Maurine Dallas Watkins

The main reason why Chicago is such an appealing film is the right smart that everything is aesthetically loving and the way that its very easy to just sit rear and watch everything happen before you, from the music to the sets and costumes and even the ordinarily cringing Hollywood murder scenes are just a pleasure listen and view. The sets in Chicago crack up you a feeling that you really are in the 1920s and this goes hand in hand with the costumes, which feed off each other to give you this feeling. The set for the nightclub really grabbed my attention as it gave the sodding(a) atmosphere of a venue of that time would feel, with the cool, sexiness that the founding of jazz is associated with. The only thing that I would have ilk to have seen would be some shots of the actual city or some of its famous locations.



Arguably the best thing that I found in Chicago was the music, apart from the great origin that the stars did of the main songs, there was the background music, which, superb within itself and believably worthy of its own album, held the movie together in what seemed bid a seamless concoction of great jazz non wanting to stop for anyone and if it wasnt for the actors and their lines and songs, I dont think it would.

All the song-and-dance numbers (excluding all that jazz and the finale) in the film are performed as a part of Roxies imagination, which is a greatly unique way of incorporating the performances...

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