The stage drama No Sugar, by Jack Davis explores the deplorable treatment of minority groups and their responses to this treatment. The performance set in the 1930s presents the Milimurra family who argon the minority group fighting against the injustices inflicted on them by sporting authorities. No Sugar lets a voice for the aboriginal plurality, confronts European Australians with the past, restores Aboriginal culture and pride and explored the value of equality. All these ideas atomic number 18 used as a way to convey its sum to the audience.
It appears that the stage performance of No Sugar provides the Aboriginal people with the voice they name lived without for decades. The Milimurra family ar used in the coquet to represent the voice of the Aboriginal people who stand up against white authority. Milly and Gran who refuse to give in without a fight, go to the Sergeant and confront him about the reasons why their rations have been cut, and push for him to provide them with blankets. Characters such as Topsy and wand are representations of those Aborigines who did not fight for their rights.
These characters bowed grim to white authority, Billy who does not speak his own language, but broken incline is happy to train for the white authorities tracking down members of his own race who escape their clutches. Millys response to the Sergeant when he tells her that her problem is she has three grown men budging off her, who are too lazy to work, is by asking him Where they gonna get work? she asks the Sergeant Do you want em to work for nobody? and Gran backs her up by saying Their not slaves you write out Chargent! The staging is also used as an added technique to provide the aboriginal people with a voice,
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